This Conversation article is about the lack of access we have to our very own NFSA, as compared to the film archive in Milan, and the British Film Institute. I held interviews (on zoom) with the directors and curators of these archives, and it was fascinating to see what they made available to people in lockdown. As I argued:

This paper was part of a panel that explores the 'les deux orphelines', the two orphan sisters who were first featured in the melodrama, Les Deux Orphelines, at the Théâtre Porte St. Martin, Paris, in January 1874. Written by Eugène Cormon and Adolphe D'Ennery, the play became one of the most famous and enduring melodramatic vehicles in the late...

In 2019 I attended and ran Master Classes on "Micro Budget Filmmaking" at Hasanuddin University, Makassar. I also ran these classes at the Festival Sinema Australia, hosted by Ruang Film Bandung. I did this in the executive role I was appointed to as Deakin University's Associate Head of School, Partnerships international (School of Communication...

In 2017 I won a Harry Ransom Center Research Fellowship in the Humanities, supported by the Andrew W. Mellon Foundation Research Fellowship Endowment from the University of Texas at Austin.

"Duckett's excellent skills as a researcher and a writer shine through. . . . Seeing Sarah Bernhardt therefore not only adds much needed context and analysis to the performances of the legendary Bernhardt, but it also shows the promise of intermedial research."--Theatre Journal