Current roles

I am Associate Professor of Film and Associate Dean, International and Engagement, in the Faculty of Arts and Education, Deakin University, in Melbourne, Australia. I facilitate partnerships between Deakin University and fellow Universities, Colleges and arts institutions/initiatives that align with our own values and aims, both as a education and arts institution, and as a place of inclusive learning that engages students at all levels (and from all backgrounds) in research and creative practice.

I am also Director of the Deakin Motion Lab. In this capacity I lead an award winning interdisciplinary research and knowledge community focused on digital screen experiences.

Active around the world

I am an Australian and UK passport holder who was born in Hong Kong and educated in Australia, Finland, the US and France. I am fluent in French and Italian and have a working knowledge of Finnish. My work has been translated into Chinese, French, and Italian. 

Current projects

1. I am  developing a first-person experimental project focusing on experiences of living and working in Hong Kong (pre-1997). I love the research, reflection, community and conversations this involves.
2. Yes, I continue to work on women and screen industries. I have 2 articles in press on this topic, both with major American publishers,
3. I am co-editor of a book (SUNY, 2026) with colleagues Matthew Solomon and Matthew Noble-Olson-from University of Michigan-entitled Peter Wollen: Beyond Auteurism. Contributors include Laura Mulvey, Ian Christie, Mark Francis, and Sarah Keller. And, wow, have I enjoyed visiting the BFI archives, interviewing Laura and Mark, as well as collaborating with friends on this. Thank you, Peter. 
4. I am co-editor if an issue of Continuum, the first collective endeavour dedicated to exploring XR in Australia.

Other things I do...

I am on the founding editorial board for Feminist Media Histories (University of California Press) and on the editorial board of Nineteenth Century Theatre and Film (SAGE, since 2014). 

I have given public addresses at:

• Petit Palais, keynote public lecture 
• Iuav University of Venice, keynote lecture on VR
  
• Festival Sinema Australia Indonesia on virtual production (2023) and microbudgets (2019); held in Jakarta, Surabaya, Makassar, Yogyakarta & Bandung, in partnership with DFAT
• the Bibliothèque Nationale (Paris, in French)
• the University of Bochum
• the University of Bologna (in Italian)
• Swedenborg Hall, London
• Columbia University (USA)
• the University of Otago (NZ)
• the Humanities Research Centre, ANU.

I was invited as an international juror for the Premio Davide Turconi, the prize given to the best PhD thesis in film history by an Italian scholar. I have also been an invited a juror for the Melbourne Women in Film Festival Short Film Awards. Both forums gave me an encouraging intergenerational view so I can see and celebrate serious achievement in the screen space.

I review manuscripts for the University of Illinois Press, Routledge, Cinegrafie, Feminist Media Histories, Immagine (Journal of the Italian Association for Research in Film History), Media Industries Journal, Nineteenth Century Theatre and Film, Palgrave MacMillan, Popular Entertainment Studies, Senses of Cinema, Screening the Past and other journals/Presses...

Curator and programmer

During my 30 year career, I have curated screen national and international programs, art exhibitions, and organised and hosted internationally significant conferences. A selection of these include 

• programming two XR workshops ("Extending Realities Forum") with Misha Myers and Katy Morrison. This was hosted at Deakin University and joined makers, producers, academics, and curators from Australian XR, Film, and Performing Arts industries. 
  
• programming for Le Giornate del Cinema Muto (Pordenone, Italy). This is the world's leading international silent film festival. 
• programming for Cinema Ritrovato, Bologna
• I am Chief Investigator of the archive initiative, Guglielmo Giannini: A digital archive of film, theatre, and political activism. This includes an archive, workshops, an international conference, a book (Guglielmo Giannini: Uomo di Spettacolo, ed, Edizione di Pagina, Bari) as well as an exhibition at Co.As.It and screenings at Cinema Nova (Melbourne, supported by the Italian Film Archive). 

• Women and the Silent Screen VII international conference, convener and programmer. This was the first time the conference was brought to the Australasia region. Because of my advocacy, the following iteration of the conference was held in the Theatre Museum in Shanghai, China.
• I co-convened Try Walking in My Shoes: Empathy and Portrayals of Mental Illness on Screen conference, University of Melbourne and the Dax Center
• A Dinner Party, WestSpace art exhibition, film screenings and symposium 
• The Feminist Salon Residency: The Envelope, West Wing, West Space Gallery 
• Paul Cox: Miracle Maker, screenings and international conference, Victorian College of the Arts

Posts in education 

1. I obtained my first academic post as a lecturer in French Cinema at the Centre Parisien d'Études Critiques, Paris. 
2. I was the inaugural lecturer in Screen in the (4*) Drama Department at the University of Manchester, UK.
3. I am the first non-native Italian speaker to teach film at the Università Cattolica, Milan (in the Department of Communication and Performing Arts under the direction of Francesco Casetti.
4. When I re-located to Melbourne for family reasons, I founded the first graduate classes across the creative arts at Melbourne University's Victorian College of the Arts. 
5. I have served as the external assessor for creative work (NTRO) for the University of Sydney.

Early Years

• I was the first Australian student ambassador to Finland, pioneering Youth For Understanding's exchange program in 1986. I attended Kaitaan Lukio in Espoo, learning Finnish, and bonding with a family and friends (who remain my chosen family). 
• I was awarded an Education Abroad Fellowship as well as a University of Melbourne Stipend to undertake my Honours Year at UCLA. 
• I was the first international student to be awarded a 2 year 100% tuition scholarship from UCLA for my MA. I was subsequently awarded a 4 year 100% scholarship for my PhD from the School of Theater, Film, and Television, UCLA .During these 6 years, I maintained a 4.0/4.0 GPA, and was  the recipient of UCLA's Graduate School Leonard Howard Fellowship, the Regents Fellowship and the Otis Ferguson Award for Critical Writing. My PhD won UCLA's Center for the Study of Women's PhD Award.
• I was UCLA's first international student to be awarded the Charles Boyer Award for doctoral study in France. I therefore undertook 2 years of research and study in Paris (Sorbonne, Paris III, including the Paris Critical Theory Program, under the direction of Sam Weber). 
• My dissertation was completed with distinction under the supervision of Carlo Ginzburg, Vivian Sobchack, Peter Wollen, and Teshome Gabriel. 

Awards & Grants

Visiting Professorships, Invited Fellow and Academic in residence.

Professional Memberships